![]() Finally we mix the Exciter and all 4 Resonators signals with a mixer.Īpparently the default tuning is in D and according to this table (just copying the tuning from some random source here…) 1st |- D - Sa - 0.Set feedback levels per module (near 100%) and filter levels per filter to taste and detune (minimally) to taste for some movement.Each offers 1 center frequency (you can just type in the notes for tuning), and two in semitones relative to the center frequency. We would need to tune the 3 filters per module to set up all 12 resonant frequencies (spread out over the 4 Combulator modules).We would need to know the tuning of the Sitar’s sympathetic strings.Since we are gonna need 12 sympathetic strings, and since Surge XT Combulator has 3 filters, we would need 4 Combulators in parallel.Setting up Surge XT Combulator as a 12 sympathetic strings resonator…well…we can try…Īssuming you already have an Exciter, (that plays the notes, which might even be another Surge XT Combulator). I can’t wrap my mind around how to accomplish this in the way or similar to how I used the Vult Rescomb2 Summary: Vocal correction software is difficult to use. If anyone would like to do a patch utilizing the Surge XT Combulator as a 12 sympathetic strings resonator, I would love to see it. Compatibility: This plugin is available for macOS 10.15.7, 11.6.5, and 12.4 (64-bit only) and Windows 10 or higher (64-bit only).It runs in VST, VST3, AAX, and AU plugin formats. So…for those who want to go in that direction: PRISM gives you the options… using a feedback loop, things will soon be pretty unstable and spiral out of control real fast.īut it can be fun and interesting to incorporate a resonant filter(bank) nonetheless. Highly resonant filters go towards (self)resonance at ever smaller bandwidths, until they (self)resonate at a single frequency, a sine (often at pretty high relative amplitudes). Either as a single bandpass filter unit in Prism Droplet or as a preconfigured (but pretty flexible) filterbank in Prism Rainbow VCV Library - Prism, where you can add Prism Spectrum to create user-defined scales for Rainbow.īTW, I don’t think resonant filters will work to emulate the desired spectrally rich sympathetic strings of a Sitar. The PRISM collection does offer highly resonant bandpass filters. Second-order Linkwitz-Riley crossovers (LR2) have a 12 dB/octave (40 dB/decade) slope. Also vocoder banks are not tuned to really specific frequencies, like they are an octave wide. it will be a filter with a very high “Q”. Yeah, but a sympathetic string is going to resonate for a long time, i.e.
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